One small gem is revealed in visual form by Ruth Watson Henderson, who had studied under the same teacher at the Toronto Conservatory of Music, whereby she demonstrated the technique of fingers bouncing off the keys, allowing it a high degree of independence.
Another is a scene most likely from the 1950s where a photographer asks him to put his scarf and gloves on (as people have expected him to be this unique character) and Glenn responds, "I've had quite enough of that kind of picture,"
A viewing of the film is not entirely wasted, though, as one gets to relive the life of Glenn Gould anew. The essence of Glenn Gould as a creative artist comes through first and foremost, and the many pathways in which he sought to realize his dreams is always a source of genuine inspiration. That he was able to turn his back on the world but still be in it, and achieve a most likely lasting place after he left at the early age of fifty (the age he said that he was going to die), is nothing short of remarkable in an age which increasingly focuses attention on meaningless actions, even more meaningless work, showmanship and marketing gimmicks.
The artist, alone (still from Genius Within)

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